David Fingret – Live Love Die Repeat (Single Review)

The alternative rock musician tackles complex metaphysical questions in his deeply atmospheric and immersive new song.

While having only debuted in 2025 with his album ‘You’ll Always Be A Human To Me’, David Fingret, who hails from Toronto, Canada, has already established a dreamily contemplative blend of rock across his multiple EPs and single releases. Choosing to tackle profound philosophical and metaphysical topics through his music, Fingret’s style notably combines psychedelic influences with otherworldly and ethereal vocals that haunt the listener long after the song has ended.

For his new single ‘Live Love Die Repeat’, Fingret stirringly tackles the subject of reincarnation through ghostly melodies, existential lyricism and an overall serene soundscape. With a runtime of just over five and a half minutes, listeners are spoiled by Fingret’s eerie vocal performance and dazzling composition that unravels slowly but cleverly over the track’s runtime.

The track begins with an ambient combination of keyboard synths, electric guitar, acoustic guitar and gentle percussion. This already richly textured arrangement is soon joined by Fingret’s creeping vocals that meld hypnotically with the track’s introspective and unearthly tone. The artist’s Bowie-esque vocals certainly do wonders for ‘Live Love Die Repeat’s ability to capture listeners instantly from the first note and ensure that they come back again to relish the track’s addictively hazy soundscape. From the beginning of the track, Fingret’s lyrics seem to question the very nature of our souls and how our present and future lives may intersect (“In light of things you said, You’re in this world condemned”).

The musician’s explanation is that our existence is merely to serve as a companion for a lonely God, and that we will return into the ether to join him after our purpose on Earth is fulfilled (“A newborn rising, An echo of each before”). It’s certainly a unique take on the topic of reincarnation, and while the lyrics themselves could have listeners questioning the true significance of the track, the song’s psychedelic backdrop will undoubtedly provide many with an enriching listening experience that forces them to ponder such questions.

After the song’s first chorus, which offers an ear-worm refrain (“Forget the sun”) courtesy of Fingret’s airy vocal harmonies and mesmeric acoustic guitar flourishes, the track’s lyrics become increasingly sinister (“If it should end today, Then your soul we’ll take”). However, this is effectively contrasted with the song’s easy and constant tempo as well as Fingret’s mellifluous line delivery and the track’s layered vocals, which ebb and flow throughout the track.

Lyrically, the song functions from the lonely perspective of a God, who desperately recalls his ‘children’ back to him (“No, you don’t know what it’s like to be me”); this lyrical longing here being easily found in the singer’s vocals, which are steady but seem laced with a yearning that perfectly complements the lyrics. There’s a definite sorrowful note because of this that appears to comment on the impermanence of time and what that would mean both for a God and humans experiencing the ever-changing seasons (“Seasons change without me, But in someplace, Without time, My children live, Love die repeat”).

The repetition of the final lines “No, you don’t know what it’s like to be me, You can’t be lonely without me” emphasises a feeling both of alienation and connection to a higher being in this current life and even perhaps in future ones too. This reflective tone is carried off by the euphoric call of Fingret’s vocals and an enthralling acoustic guitar outro that almost seems to mimic the rise and fall of an ocean wave, letting audiences linger a little longer in the song’s lulling ambience.

Score/Excellent: Fingret excels at delivering complex compositions immediately attractive to the listener while pondering an original concept of reincarnation, a topic that melds well with the artist’s psychedelic and alternative sound. There’s definitely a lot here that will stand out to new audiences.

[We rank singles, EP’s and albums on a scale of Poor, Mediocre, Good, Excellent and Outstanding]

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