Rebel G Society, known offstage as Daryl Boothe, is an artist, producer, and creative visionary redefining independent artistry. Born in Kingston, Jamaica and now based in the U.S., Rebel G Society builds worlds through sound, design, and storytelling, fusing hip hop, street culture, anime, and futuristic production.
His work transcends music, merging fashion, digital art, and cinematic soundscapes into a rebellious creative universe. With projects like Ronin Galactica, The Messiah Complex, and The Odyssey of Savage Savannah, he’s building an entire mythos, one that pushes boundaries and challenges what artistry can be.
Where are you from?
I was born in Kingston, Jamaica. My journey started in the heart of the Caribbean, where reggae, dancehall, and street culture shaped my sound and vision. Now based in the U.S., I fuse my Jamaican roots with hip hop, anime-inspired art, and futuristic production to create a style that’s bold, cinematic, and deeply original.
How long have you been making music?
I’ve been creating music for about three and a half years, and in that time, I’ve built a sound that’s completely my own. What started as experimentation in my home studio turned into a full creative movement. Every song I make blends hip hop, dancehall, and cinematic energy with futuristic storytelling. I’m still evolving, but my passion and vision keep growing stronger with every project.
How many songs/albums have you released to date?
Over the past few years, I’ve released dozens of songs and multiple albums, each one representing a new chapter in my creative evolution. From projects like Ronin Galactica, The Messiah Complex, The Odyssey of Savage Savannah (Deluxe Edition), and Savior – Rebellious Oni, to countless singles across genres, my catalog reflects years of experimentation and growth. Every release is a piece of my world — dark, cinematic, and rooted in raw emotion and innovation. I currently have 9 projects on streaming platforms but I have at least 600 or more songs unreleased. I try to drop a project every 2 weeks when my ideas are fresh.
Can you tell us about your latest release and the background/inspirations behind it?
Cosmic Lust Galactica is a dark Afrobeat and R&B fusion that explores the pull of desire and temptation. I created and produced this track in my home studio over four days, building every layer from scratch to capture that cinematic, interstellar vibe. Using AI vocal technology, I completely altered and enhanced my voice to match the song’s futuristic mood and emotional depth.
The production blends heavy Afro drums, ambient synths, and deep space atmospheres, pulling listeners into a world where love feels infinite, dangerous, and divine. This isn’t just a song, it’s a cosmic experience, a journey through sound and emotion that blurs the line between digital art and human connection.
How have/did you end up in the music industry?
I always wanted to do music. During the pandemic, I finally decided to make that dream real. I started buying a bunch of music equipment and turned my space into a home studio. I spent countless nights writing, producing, and experimenting with sound until I found my own lane. What began as pure curiosity turned into full dedication.
Some of my early tracks caught the attention of music experts who were impressed by the out-of-the-box sound and production I was developing. I started off creating experimental music, blending genres and ideas most people wouldn’t dare to mix. Artists like Ye and Travis Scott inspired me to push boundaries and build entire worlds through sound, and that’s exactly what I’ve been doing ever since.
What do you think of the music industry in 2020 when the coronavirus pandemic hit?
During the pandemic, I think the music industry changed forever. Everything slowed down, and at the same time, creativity exploded. Artists weren’t focused on chasing trends or industry approval, they were experimenting, building home studios, and learning to create their own sound from scratch. I saw a shift where independence became power, and people realized you didn’t need a big label to make impactful music.
For me, that time was about self-discovery. While the world was on pause, I dove into sound design, vocal experimentation, and production. It felt like a creative awakening, the barriers dropped, and all that mattered was pure expression. The pandemic made me realize that the future of music belongs to innovators and independent creators willing to take risks and think beyond the system.
Who do you think is the most influential artist?
Ye has always been the most influential artist for me. His vision, fearlessness, and ability to merge sound, art, and fashion changed how I see creativity. He inspires my production and artistry on every level, whether it’s music, visuals, or fashion design. I’ve always admired how he turns ideas into movements, and that energy pushes me to innovate and stay true to my own vision, no matter how unconventional it may be.
Who have you collaborated with so far in your career?
Over the years, I’ve had the opportunity to collaborate with some incredible names across both art and music.
On the art and design side, I’ve worked with Master P, helping bring his Moneyatti and Medusa fashion brands to life with bold visual direction and street-luxury aesthetics. I also collaborated with Sprayground, known for their artistic, statement-making bags, and the 1937 Cannabis Group, where I helped develop brand visuals that fused culture, fashion, and lifestyle. One of my most exciting collaborations was with the MrBeast brand, contributing creative design concepts for large-scale visual projects.
On the music side, I’ve collaborated with artists like Cali RP and Fleee’Tho BANGZ, blending styles and energy to create tracks that feel authentic, cinematic, and raw. These collaborations pushed my creativity even further — merging street energy with futuristic production and storytelling.
Every partnership I’ve had reflects my vision as an artist and creative, bridging art, music, and culture into one powerful movement.
How do you think you differ from other artists?
What makes me different from other artists is my approach, I don’t just make music, I build worlds. Every track, artwork, and visual I create is connected, forming part of a bigger universe that blends hip hop, Afrobeat, R&B, anime culture, and futuristic storytelling. I design my own covers, produce my own beats, and even manipulate my vocals with AI technology to create new sounds that haven’t been heard before.
While a lot of artists follow trends, I’ve always focused on innovation and originality. My background as a designer and creative director gives me a deeper perspective, I see music as both art and architecture. I’m not just chasing hits; I’m crafting experiences that challenge how people see and hear music. My mission is to push boundaries, stay independent, and create something timeless that stands apart from everything else.
Who will you love to have a collaboration with?
There are a lot of artists I’d love to collaborate with. People who inspire me creatively and represent different parts of my sound and vision. Ye is at the top of that list; his innovation in both music and fashion has shaped the way I approach art. I’d also love to work with Travis Scott, whose atmospheric production and energy align with my cinematic style.
From my roots, I’ve always wanted to collaborate with Vybz Kartel, Buju Banton, and Mavado, artists who helped define dancehall culture and influenced my Jamaican foundation. On the global side, Drake, Lil Yachty, Cardi B, and Nicki Minaj inspire me for how they blend personality, style, and versatility into their sound. Killer Mike is another artist I deeply respect for his lyricism, leadership, and social awareness — the kind of authenticity I aim to bring to my own music.
Each of these collaborations would be about more than just a song, it would be about fusing worlds, mixing cultures, and creating something powerful and timeless.
What was the first album you bought as an artist?
The first album I ever bought as an artist was My Beautiful Dark Twisted Fantasy by Ye, and it completely changed how I saw music and production. That album felt like a movie, every sound, lyric, and visual detail was crafted with purpose and emotion. Ye’s fearless creativity, the layers in his production, and the cinematic storytelling made me realize that music could be art on every level.
Listening to that project taught me how to build worlds through sound, how to make something timeless, experimental, and still deeply personal. It pushed me to approach my own music like a designer, blending emotion, texture, and vision until it feels larger than life. That album didn’t just inspire me, it shaped my mindset as a creator who refuses to follow trends and instead aims to redefine what art can be.
What’s your favorite song at the moment?
Right now, my favorite song has to be my own track, Cosmic Lust Galactica. Every time I play it back, it reminds me why I started creating music in the first place. I produced it in my home studio over four days, experimenting with dark Afrobeat and R&B rhythms while using AI vocal technology to completely reshape my voice and match the mood of the record.
There’s something hypnotic about the way it flows, it feels like a love story drifting through deep space, filled with passion, mystery, and emotion. It captures everything I love about sound design — the fusion of human feeling with futuristic elements. For me, “Cosmic Lust Galactica” isn’t just a song, it’s an atmosphere, the perfect balance between sensuality, innovation, and pure creative freedom.
If you had to sell your music collection tomorrow, what album/track would you leave in your draw?
If I had to sell my entire music collection tomorrow and could only keep one album in the drawer, it would be The Odyssey of Savage Savannah (Deluxe Edition) my own project. That album represents everything I’ve built as an artist, the late nights, the experiments, the risks, and the growth. I spent months producing it, pushing my creativity to new levels with AI vocal manipulation and cinematic storytelling.
It’s more than just an album to me, it’s a journey through emotion, rebellion, and evolution. Every track captures a moment in my artistic life where I broke barriers and found my true sound. The Odyssey of Savage Savannah is a reflection of who I am, where I’ve been, and where I’m going. That’s the one album I could never let go of.
What is your favorite quote/saying?
My favorite quote is “Create what they can’t ignore.” That line sums up everything I stand for as an artist, producer, and visionary. It reminds me to always stay original, to build, design, and compose from pure instinct rather than following trends. Every time I’m in the studio or working on a new visual, I think about that quote. It pushes me to go further, take risks, and leave behind something unforgettable.
What other hobbies or interests do you have?
Outside of music, I’m always creating. My hobbies naturally connect to my art. I love digital illustration, fashion design, and cinematic storytelling. I spend hours sketching concepts, building new characters, or designing merch and streetwear drops for Rebel G Society. When I’m not producing, I’m experimenting with AI art, film editing, and sound design, blending visuals and music into one cohesive experience.
I also enjoy anime, gaming, and exploring futuristic tech, because they spark new ideas for my music and graphic novel worlds. For me, creativity isn’t just a career, it’s how I live every day. Everything I do, from drawing to designing to soundscaping, is part of building my own universe.
Tell us more about your upcoming project or this new project?
My next project is something I’ve been building toward for years, a cinematic album and animated short film that expand the universe of Don Almighty. This is more than just music; it’s a full-scale experience that bridges sound, story, and visual art. Every song connects to a scene in the film, creating a seamless world of emotion, chaos, and power.
The project dives deeper into the Don Almighty Universe, exploring themes of loyalty, rebellion, and redemption through futuristic storytelling and dark, cinematic production. I’m combining AI-enhanced vocals, orchestral trap instrumentation, and anime-inspired visuals to tell a story that feels larger than life, part film, part album, and fully immersive.
This release represents the next evolution of Rebel G Society, where music becomes cinema, and every frame and beat tells part of a bigger narrative. It’s not just an album; it’s the beginning of a new era in my creative universe.
What’s in the pipeline after this project?
After dropping this project, my plan is to expand the Don Almighty Universe into a full multimedia experience. The cinematic album and short film are just the foundation, the next phase will involve spin-off music projects, visual chapters, limited-edition merch, and a graphic novel series that continues the storyline.
I’ll also be releasing instrumental score versions, NFT artwork, and exclusive behind-the-scenes content that show how the world was built — from the concept art to the final animation. Each piece will connect fans deeper into the universe and introduce new characters, settings, and soundscapes.
Beyond that, I’m planning collaborations with other artists and producers who share the same creative energy, and developing the Don Almighty saga into a full animated series with its own soundtrack and lore. My goal is to create a long-term cinematic world where music, animation, and fashion merge into one living ecosystem under Rebel G Society.
This project is just the beginning, the pipeline is about expansion, evolution, and legacy. Every release from here on will build on the mythos, leading into the next phase of storytelling: Don Almighty – The Eternal Reign.
Song Mentioned: Cosmic Lust Galactica
Follow Rebel G Society Online
Facebook: https://facebook.com/rebelsociety
Instagram: https://instagram.com/rebelgsociety
YouTube: https://youtube.com/@rebelgsociety
Website: https://rebelgsocietyrecords.com
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